Plundering atlantis (frescos of), seperating ground from ground, and Hieronymus Bosch eat your heart out.

Compositional structures appropriated from Atlantis fresco, the way in which grounds are separated, as well as the mouth like opening that the city is presented in. the mountain scape sits above the city scape, separated by a layer of abstracted space. mines is in black and white, but at least it isn't flaking off the substrate just yet. also a frog eats a protester and poops another one out (not pictured), similar to representations of Satan (and other lesser demons) eating and excreting sinners.